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Type of bind: Paperback
Dewey Decimal Number: 813
EAN num: 9781853262395
ISBN number: 1853262390
Label: Wordsworth Editions Ltd
Manufacturer: Wordsworth Editions Ltd
Page Count: 192
Printing Date: December 05, 1999
Publishing house: Wordsworth Editions Ltd
Sale Popularity Level: 32826
Studio: Wordsworth Editions Ltd
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Product Description:
Virginia Woolf's Orlando 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with very first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Costantinople, awakes to find that he is a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.
Amazon.com Review:
In 1928, way before everyone else was talking about gender-bending and way, way before the terrific movie with Tilda Swinton, Virginia Woolf wrote her comic masterpiece, a fantastic, fanciful love letter disguised as a biography, to Vita Sackville-West. Orlando enters the book as an Elizabethan nobleman and leaves the book three centuries and one change of gender later as a liberated woman of the 1920s. Along the way this most rambunctious of Woolf's characters engages in sword fights, trades barbs with 18th century wits, has a baby, and drives a car. This is a deliriously written, breathless-making book and a classic both of lesbian literature and the Western canon.
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Rated by buyers 
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By far Virginia Woolf's most lighthearted and appealing book. But it is also by far her most profound meditation on reading and writing, identity and art, history and time.
Strictly speaking "Orlando" is a pseudo literary biography that mocks literary biography (and representation in general). In place of a person Woolf creates a fantastic hybrid and the metamorphoses that occurs simply underlines the unreality, the utterly fabricated nature, of her creation and of all writerly creations. But its also much more than that for Orlando allows Woolf the opportunity to comment on one of her own creations as she is creating it. The writer transforms the world with her words but she is also transformed by the words that she uses. In this way one can view reading and writing as ongoing metamorphoses.
No other book in existence so proudly announces what it is not: real. No other book calls attention to the fact that it is merely literature--a figment of a writers fancy-- in such a graceful way. And yet few books have the imaginative power to so transform the readers who encounter it as this one.
Rated by buyers -
The story begins with Orlando as a passionate young nobleman in Queen Elizabeth's court. By the end, Orlando is a 36-year-old woman three centuries later. Orlando witnesses the making of history from its edge. A close examination of the nature of sexuality and the changing climate of the passing centuries. Very novel and engaging if a bit loose-ended at times.
Rated by buyers 
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This `roman à clés' is very original. The hero continues to live in different historical periods and undergoes a sex change.
However, it is written in an emotional, sentimental, superlative style: `society in the reign of Queen Anne was of unparalleled brilliance. The graces were supreme.'
Except for the very first period, there are no conflicts, only rather superficial descriptions of the mood and spirits of the times. For V. Woolf, `to give a truthful account of society ... only those who have little need of the truth, and no respect for it - the poets and novelists - can be trusted to do it, for this is one of the causes where the truth does not exist.'
`Orlando' is a perfect flight from reality: `But let other pens treat of sex and sexuality; we quit such odious subjects as soon as we can.' `Whigs and Tories, Liberal party and Labour party ... should be left to the historian.'
This book is a clean, introvert, aristocratic, long ode to pure Beauty.
Only for Virginia Woolf fans.
Rated by buyers -
Written in 1928, this book clearly sought to shock the reading public. For every repression delivered by Victorian authorities which surely hampered Woolf's freedoms, this book delivers a defiant rebuke to the same.
Orlando - it states in the beginning - is a man for whom "there can be no doubt of his sex." He is rich, handsome and lives a life even Hugh Hefner may be jealous of. But, scandals lead him to isolation, to public ridicule or upbraiding, which led him to sequester himself to his 200-bedroom hermitage-castle. In his hermit's existence, he does not pass time philandering, but instead pulls books off the library's shelves and romanticizes with fiction.
Eventually tedium compels Orlando to ask his friendly king to deliver him overseas where he can perform the duties of ambassador. He ends up in then Constantinople, now Istanbul, Turkey. While living there, he ends one exhaustingly long night of debauchery and partying with a seven day sleep - and awakes a woman.
This was a "good thing." As a man, he could not appreciate Tennyson, Shakespeare, Byron and the like. As a woman, their written word touched her greatly. She could be blue eyed, she could be lachrymose. As a man, he never loved. Wollf says, ". . . love - as the male novelists define it . . . has nothing whatever to do with kindness, fidelity, generosity or poetry. . ." Orlando the man had no love? Maybe, with Sasha (a Russian seductress) - but maybe Sasha ruined him so that he could never love again.
As a woman, Orlando knows love. Wolff explains, "Love is slipping off one's petticoat and - "
Can you imagine the Victorians reading that?!
Orlando's life continues not for decades, but centuries. And, some other characters do as well. "The true length of a person's life . . . is always a matter of dispute. Indeed, it is a difficult business - this time-keeping thing. . . " Indeed, it was for Wolff who quite intentionally delivers this novel as a time-challenged writer.
More obscurities arise - androgynous lovers, angels' visits, children born from or for Orlando - and splendor with these very biologically-defying events.
This is not written in the weaving masterful language which Woolf delivers in "To the Lighthouse" or "Mrs.Dalloway." Instead, here the schizophrenia lies with the main character, not the writing style. Probably, a better story than "Lighthouse" or "Dalloway", but I am partial to the writing style of those masterpieces.
In any event, anyone wondering just how throttled Woolf felt in the stifling moral norms of her country, read this book. If anyone wants a bizarre tale about a bizarre man/woman, this is a must read.
Rated by buyers 
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I like to think myself a very well-rounded reader (I have my degree in English), but I don't know if the genius of Virginia Woolf was just beyond me in Orlando. I enjoyed the story and the various historical characters that made appearances throughout, but something about it went a bit over my head. It was a strange tale of adventure and romance, with Orlando seeking the beauties of life and poetry throughout the centuries.
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