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Type of bind: Paperback
EAN num: 9781580493932
ISBN number: 1580493939
Label: Prestwick House, Ltd.
Manufacturer: Prestwick House, Ltd.
Page Count: 208
Printing Date: December 01, 2005
Publishing house: Prestwick House, Ltd.
Age index: Young Adult
Sale Popularity Level: 49029
Studio: Prestwick House, Ltd.
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This Prestwick House Literary Touchstone Edition⢠includes a glossary and readerâs notes to help the modern reader contend with Wildeâs many allusions and his complex approach to the human condition. Oscar Wildeâs only novel, The Picture of Dorian Gray, very first appeared in 1891. Dorian Gray, a handsome young man, falls in with a group of âfriends,â whose amoral philosophies he finds quite appealing. After he has his portrait painted, his frivolity and general demeanor degenerate into wickedness, but only the portrait bears the effects of his descent into decadence and serves as a powerful symbol of Grayâs internal ruin. Dorian himself, however, remains as young and unspoiled as the day he very first sat for the painting. Wildeâs exploration of life without limits or consequences shocked its late-Victorian audience and remains highly un- settling to modern readers. We, like Dorian, are forced to reconsider whether total freedom and absolute knowledge are really worth their costs.
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Rated by buyers -
The experience of reading Oscar Wilde's The Picture of Dorian Gray is tantamount to engaging in a philosophical debate with a person suffering from Obsessive Compulsive Disorder--and they're winning. The exquisite attention to detail paired with a sharp analytical wit delivers an indomitable argument. One cannot help but succumb to temptations along with the charismatic Dorian and echo his cries of despair when the effects of sin become prominently displayed, marring the handsome features.
Wilde creates a subtle trap, luring the reader with Dorian's innocence and naiveté. The snare gently tightens as the pure boy slides deeper into depravity and becomes corrupted by pleasure. So slowly is the reader introduced to the poison, by the time realization hits there is no hope of escape. They are as thoroughly embroiled in the life of hedonism and aestheticism as the protagonist. Dorian becomes subsequently more callous with every act of debauchery he commits and the impact of his actions is reduced by the sheer number of skeletons in his closet. Rather than becoming appalled as his wickedness grows, the reader is simple hardened for what is to come. When Dorian finally carries out the act of treachery that tilts the scale, no one is surprised.
The pictures painted by Wilde's careful words are elaborate to the point of being mind-numbing. Explicit descriptions of Dorian's hobbies fill pages while serving no apparent purpose. Closer examination determines the usefulness of aforementioned descriptions in drawing the reader closer to the child-like curiosity of Dorian, perhaps justifying his eventual corruption. Unfortunately this knowledge is not enough to banish the tedium and some passages must simply be suffered through.
Oscar Wilde has created a thought provoking masterpiece. An excellent read for those who have ever question the morality of society of have peered out across seas of corruption and vowed to stay away. Not for the faint of hear or easily distracted, hose who choose to take the plunge will find themselves pleasantly rewarded.
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Wilde sees the world more clearly than any writer of fiction in the last century. It is for that reason that his work is so filled with countless paradoxes and contradictions that challenge the mind and titillate the senses. Wilde lived in an infinitely ironic age, when society had grown so influential as to crowd out the individuals that made it up. Today, we have taken for granted this incongruity and so our writers cannot express the kind of irony that Wilde mastered, despite the fact that we all know that something is amiss.
`The Picture of Dorian Gray' is filled with this irony. The plot shows us the ultimate irony of a man giving up his soul for the beauty of youth--the condition that is exalted in the modern age above all else, intellect, truth, justice, life itself. Interspersed are dialogues and epigrams that persist one hundred years later as some of the finest word handling ever recorded. Even a few samples should compel the potential reader:
"The only thing worse than being talked about is not being talked about."
"Every portrait that is painted with feeling is a portrait of the artist, not of the sitter."
"A man cannot be too careful in his choice for his enemies."
"The only difference between a caprice and a life-long passion is that the caprice lasts a little bit longer."
"Men marry because they are tired, women marry because they are curious. Both are disappointed."
"I love acting, it is so much more real than life."
- "I am on the side of the Trojans, they fought for a woman."
- "They were defeated."
The mastery of wit that Wilde displays must be seen in its context. He was a decadent as much as the characters he portrays are. Ultimately, the disillusion that the decadent faces comes through in the story and the reader is left with a very uneasy feeling upon completing `Dorian Gray.' Is life as absurd as it seems? Is there a solution? Or are we stuck with a life of paradox? Perhaps our current period of decadence will show us an alternative. Until it does, we can enjoy the astounding word play offered here.
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Oscar Wilde was one of the foremost representatives of Aestheticism, a movement based on the notion that art exists for no other purpose than its existence itself ("l'art pour l'art"), not for the purpose of social and moral enlightenment. Born in Dublin and a graduate of Oxford's Magdalen College, he initially worked primarily as a journalist, editor and lecturer, but gradually turned to writing and produced his most acclaimed works in the six-year span from 1890 to 1895, roughly coinciding with the period of his romantic involvement with Lord Alfred "Bosie" Douglas, sixteen years his junior. Douglas's strained relationship with his father, John Sholto Douglas, Marquees of Queensberry, eventually resulted in a series of confrontations between Wilde and the Marquees, which very first led to a libel suit brought by Wilde against his lover's father (who had openly accused Wilde of "posing as a sodomite" and threatened to disown his son if he didn't give up his acquaintance with the writer) and subsequently to two criminal trials against Wilde for "gross indecencies," based on a law generally interpreted to prohibit homosexual relationships. Sentenced to a two-year term of "hard labor" in Reading Gaol, Wilde emerged from prison in 1897 a spiritually, physically and financially broken man and, unable to continue living in England or Ireland, after three years' wanderings throughout Europe died in 1900 of cerebral meningitis, barely 46 years old.
"The Picture of Dorian Gray," Wilde's only novel besides seven plays as well as several works of short fiction, poetry, nonfiction and two fairy tale collections originally written for his two sons, is critical to an understanding of Wilde's body of work and his personality primarily for two reasons: First, because it constitutes one of his earliest fully accomplished formulations of Aestheticism, and secondly because of its undeniable undercurrent of homoeroticism; an inclination which, after a six-year marriage widely thought to initially have been a true love match, Wilde had begun to explore more openly around the time of the novel's creation (1890). The story's title character is an exceptionally handsome young man who, both in the eyes of the artist tasked to paint his portrait, Basil Hallward, and in those of their somewhat older friend Lord Henry Wotton, epitomizes perfect beauty and is coveted by both men for that very reason. Seduced by hedonistic Lord Henry into believing that beauty can literally justify anything, including any act of immorality, Dorian sells his soul for maintaining his beautiful appearance, letting his portrait age in his stead. (In that, his character resembles Goethe's and Marlowe's Faust.) He then quickly turns from an innocent youth into a cruel and calculating man whom society, in its shallow adherence to appearances, nonetheless never associates with any of the results of his cruelty, never looking beyond the surface of his handsome exterior and assuming that a man so beautiful must necessarily also be good. Ultimately it is Dorian himself who brings about his own downfall when he is no longer able to face the manifestation of his evilness in Basil Hallward's picture.
Upon its initial publication in Lippincott's Monthly Magazine in 1890, "The Picture of Dorian Gray" was widely scorned as immoral by a public neither familiar with nor particularly open to the concepts of Aestheticism and its mockery of middle class morality, and repulsed by the thinly veiled homoerotic relationship of the novel's protagonists. Wilde republished the work the following year, adding a preface designed to explain his views on art. Yet, it was that preface which, along with several of his other publications and his written exchanges with Lord Alfred Douglas, ultimately would play a devastating role in his trials, where Queensberry's attorney would come to use an excerpt from that very preface - "There is no such thing as a moral or an immoral book. Books are well written, or badly written" - to extract from Wilde statements to the effect that any book inspiring a sense of beauty (including, as implied in the attorney's question, an "immoral" book, if "The Picture of Dorian Gray" could be qualified as such) was well-written and therefore commendable; that only Philistines, brutes and illiterates - whose views on art he considered invariably stupid and for which he therefore didn't "care twopence" - could consider this novel "perverted," and that the majority of the reading public would probably not be able to draw a proper distinction between a good and a bad book. It was testimony such as this, as well as the impending confrontation with a number of male witnesses ready to testify as to the nature of their relationship with Wilde, that not only caused the author's attorney to convince his client to drop the libel suit against Queensberry but also opened the door for Wilde's own subsequent prosecution.
If "The Picture of Dorian ... Read More
Rated by buyers -
Unfortunately I made it through both high school and college without ever having been assigned this book. Over the years I have read plenty of Wilde's works, but for some reason or another, missed this one over and over. I recently sat down, and decided that it was time to give this a read. To be honest, I knew very little about this actual book prior to reading it, other than it involved a picture that aged rather than he in the painting.
I expected to have difficulty reading this book, since it had been such a long time since I had read anything from the Victorian era, however the language was surprisingly simple, and Wilde's wit is as sharp as ever. Almost sharp enough to harm the reader should they not be forewarned or guided through the readings. Should someone of a weaker mind read this book, it would be easy to fall into the trap of Dorian, who himself was poisoned by a book and the words of his friend.
Summary without giving too much away: Dorian Gray is an Adonis-like beauty, young and full of life and innocence at the beginning of our story. His beauty has attracted the obsession of a painter who paints picture after picture of him. Basil (the painter) tries to keep young Dorian pure and in love with life. Henry, a friend of Basil's comes to the studio as Basil paints his master work - a portrait of Doran. Henry fascinates young Dorian in his vile manner of speaking and sarcastic wit. His talk instills in Dorian both a fear of losing his beauty and a lust for all that is selfish and vile in life. Dorian's notable debauchery follows in exquisite detail with Henry always along for the ride to prod young Dorian down the wrong road. Several suicides and a murder or two later, complete madness begins to make its appearance.
Wilde was brilliant in his writing of this book, he captures the time perfectly... the lust of it, the sexuality of it, the debauchery of it... all in the name of truth. In their words they say things that their hearts dare not to believe and their smiles are masks hiding the truth. And what if someone believed in these lies? What if they lived their life according to what they had been told? Then they would be Dorian Gray... and we will see what happens to him. This is a brilliant read, and for those of you who will have to write papers on it... the story is not long, but it is thick with meaning. There are very few stories that I would give 5 stars to, this is one of them.
Rated by buyers 
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I had heard speak of The Picture of Dorian Gray, but I must admit I did not expect the depth and clarity of thought, the utter honesty to be found in this short novel. It is worth reading. It is worth buying. I wish I had read this when I was younger. This is one book I will give to my children. If I could, I would make this a part of highschool litterature versus many other pieces we were given to read. It is indeed a classic.
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