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Type of bind: Mass Market Paperback
Dewey Decimal Number: 813.4
EAN num: 9781416534730
ISBN number: 1416534733
Label: Pocket
Manufacturer: Pocket
Quantity: 1
Page Count: 480
Printing Date: May 01, 2007
Publishing house: Pocket
Age index: All Ages
Sale Popularity Level: 21055
Studio: Pocket
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Product Description:
ENDURING LITERATURE ILLUMINATED BY PRACTICAL SCHOLARSHIPA nineteenth-century American travels back in time to sixth-century England in this darkly comic social satire.
THIS ENRICHED CLASSIC EDITION INCLUDES:
- A concise introduction that gives the reader important background information
- A chronology of the author's life and work
- A timeline of significant events that provides the book's historical context
- An outline of key themes and plot points to guide the reader's own interpretations
- Detailed explanatory notes
- Critical analysis, including contemporary and modern perspectives on the work
- Discusion questions to promote lively classroom and book group interaction
- A list of recommended related books and films to broaden the reader's experience
Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.
SERIES EDITED BY CYNTHIA BRANTLEY JOHNSON
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Rated by buyers 
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I have always loved Mark Twain since reading Huck Finn and Tom Sawyer as a kid. At one point I had even memorized "The Celebrated Jumping Frog of Calaveras County" as a seventh-grader in Catholic school. Twain has always held a sentimental place close to my heart, so when our book club chose to read and discuss A Connecticut Yankee in King Arthur's Court, I was all for it.
I had heard vaguely of Twain's atheist mindset and his antagonism toward religion in general. But until I read Connecticut Yankee, I had no idea how much irrational and unfounded antipathy Twain had for the Catholic Church in particular. The pervasive theme in Connecticut Yankee is that our modern enlightened world is far superior to that which went before and that the "bad old days" of slavery and oppression were almost completely the fault of the Catholic Church. This anti-Catholic sentiment can hardly be denied as Twain himself urged reviewers not to mention it when the book very first came out. "Please don't let on that there are any slurs at the Church," he told a sympathetic reviewer in the Boston Herald. "I want to catch the reader unawares, and modify his views if I can."
So Twain engaged in what we know yesterday as the "last acceptable prejudice." By way of a simple comparison, let us imagine that, instead of Catholics, Twain had chosen Jews, Mormons, or Evangelicals as the villains of Connecticut Yankee. Would it still occupy the exalted position it does as an American classic? Or would it be relegated to those dusty shelves where reside other scurrilous works or racist manifestos to be studied as a historical curiosity of a meaner age?
For me, the most annoying aspect of Connecticut Yankee was Twain's almost total ignorance of history--or, perhaps more accurately, his decision to turn history on its head to better fit his polemical aims of blaming all the ills of society on the Catholic Church. This is a classic example of what happens, I suppose, when a journalist with a wide breadth of knowledge but no depth attempts to novelize about a historical subject. To address some of Twain's errors:
1.) Slavery in antiquity was in no way the fault of the Church. That pernicious institution long predated Christianity and was endemic to classical pagan societies. Indeed, the Church has a long history of making the lot of slaves more tolerable and being among the premier abolitionist institutions in the world.
2.) The idea that the Church suppresses intellectual freedom is a fable made up during the Protestant rebellion, though it is heartily embraced by Twain. Far more erudite scholars than I have examined this fallacy in detail, so rather than address this topic in detail here, I would point the reader to Tom Woods's excellent book, How the Catholic Church Built Western Civilization.
3.) Twain writes naively of democracy, putting in Hank Morgan's mouth the notion that "Where every man in a state has a vote, brutal laws are impossible." One wonders what Twain would have made of our modern America, where not only every man, but every woman has a vote, and yet the ghastly practice of abortion is not only legal, but enshrined as a human right. Democracy of itself does not ensure enlightened government. Without the temper of religion, democracy is as likely to produce brutal and repulsive laws as the worst monarchy. De Tocqueville understood this. It's a wonder that Twain did not.
There are many more, but this review is already more prolix that I had intended.
As always, Twain's writing sparkles in Connecticut Yankee and his lampooning of the style of Mallory is very funny. His characters, however, viewed 120 years later, are crudely drawn. Hank Morgan is an Alger-esque self-made man whose compendious knowledge of all subjects is just a little too convenient. The legendary Arthurians are all soulless pawns that Twain moves around to further his polemic. No insight is offered into their characters at all. They are all cruel and completely self-serving--as they must be in Twain's mind because they belong to the aristocracy. The story ends on a bizarrely depressing note for a tale that was predominantly a humorous satire for the very first seven-eighths of its length.
In short, this is not a book I will be reading to my kids as a bedtime story. For me, it is to be considered a shameful period piece, written at a time when it was acceptable and even laudatory to be a Know-Nothing and make up slanders about the Catholic Church. That it is a cleverly-written slander is only another mark against it. Amusing slanders are pleasing to read but have the potential to do real harm both to the target and the reader.
Rated by buyers 
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Although I usually enjoy Twain's writing style, and his sense of wry humor, there was something about A Connecticut Yankee in King Arthur's Court that was less than satisfying.
Some of the situations that the protagonist gets himself into are "classic" Twain. When the narrator is transported back to the time of Camelot, he begins to speculate about rituals, customs and general style of life. There is one part where the townspeople are convinced that he can perform great magical feats (he actually has Merlin as his rival), and when they corner him about performing one, he has to think of a way to please them or face punishment. He realizes that he can remember when an eclipse is going to come, and there is the way out of his situation. There are many adventures, where the narrator becomes critical of their ways, as a time warp will do. He is a fish out of water in many ways in this new world, not understanding, for instance, their need to have extravagant adventures: "Hardly a month went by without one of these tramps arriving; and generally loaded with some tale about some princess or other wanting help to get her out of some faraway castle where she was being held in captivity by a lawless scoundrel..." Because of his ability to perform great acts, he becomes known as the Boss, and helps to free some poor peasants from terrible punishments.
Maybe what made this less of a story was that it became too "preachy" and filled with social commentary. Although this is what usually makes Twain's novels, here it seemed to detract from the over all story. I was much more interested in hearing about the subsequent adventure, but the narrator continued to rattle on and on about what he felt was wrong with this society. You get the feeling that Twain, not the narrator, is speaking after awhile. In the end, I guess it wasn't really the book I expected it to be. Still, it has its moments, and there are some parts that will have you chuckling to yourself as you read.
I consider Twain to be one of my favorite authors, but this is one of his lesser achievements.
Rated by buyers 
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Twain spoils a promising premise with bloated preachifying, colorless prose, and an uneven, nigh-absurdist plot arc.
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Rated by buyers 
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With each Twain novel I read, I am amazed at how he can be so funny while packing such astute insights about life. This novel is no exception as Twain strikes the balance between the two again here. The premise for this novel is perhaps Twain's most original idea (when did Tom Sawyer ever time travel?) and the story and characters satisify at every turn. While this isn't Twain's best work, I think that some of his funniest moments are in this novel. I recommend Tom Sawyer as the place to begin reading Twain, but if you are already a fan then this book is a must-read.
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