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Type of bind: Paperback
Dewey Decimal Number: 508.946
EAN num: 9780812967692
ISBN number: 0812967690
Label: Villard
Manufacturer: Villard
Quantity: 1
Page Count: 336
Printing Date: April 11, 2006
Publishing house: Villard
Release Date: April 11, 2006
Sale Popularity Level: 848328
Studio: Villard
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Editor's Notes and Comments:
Product Description:
Packing an off-kilter sense of humour and keen scientific minds, Margaret Mittelbach and Michael Crewdson, along with renowned artist Alexis Rockman, take off on a postmodern safari. Their mission? Tracking down the elusive Tasmanian tiger. Tragically, this mysterious, striped predator was hunted into extinction in the early part of the twentieth century. Or was it?
Journeying very first to the Australian mainland and then south to the wild island of Tasmania, these young naturalists brave a series of bizarre misadventures and uproarious wildlife encounters in their obsessive search for the long-lost beast. Filled with Rockman’s stunning drawings of flora and fauna originally crafted from river mud, wombat scat, and even the artist’s own blood, Carnivorous Nights is a hip and hilarious account of an unhinged safari, as well as a fascinating portrayal of a wildly unique part of the world.
Carniverous Nights is:
One of the New York Public Library's '25 Books to Remember from 2005'
A New York Public Library Books for the Teen Age, 2006 selection
User popularity level:
Rated by buyers 
-
This book is a wonderful celebration of wildlife--what's lost and what still survives--in a beautiful and strange part of the world. But what makes Carnivorous Nights great is the oddball voice of its narrators.
While appalled by the destructive forces that pushed the Tasmanian tiger to the edge of extinction, the authors manage to find beauty and humour in the amazing creatures--and people--that still populate this far-flung island.
The illustrations are black-and-white watercolors of Tasmania's animals. And they're like ghostly photos of a long-lost world.
This book really stuck with me, and made me want to travel to Tasmania.
Rated by buyers 
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Being an avid fan of the Thylacine, I had great hopes for Carnivorous Nights. Boy was I disappointed!!!!! "The Last Thylacine" 2005 by Terry Domico ISBN number 1883385156 is a far better book.
There is some very good information in Carnivorous Nights but it is covered by filthy language (the F word every few pages) and Middle School level humour (nipple clamp joke on page 111, many references to scat or other bodily functions in a so-called humorous manner, etc...) Additionally, I did not like the glorification of illegal drug use by one stoned adventurer who seemed to focus his life around his subsequent hit of weed.
I also did not care for the artwork. It was simplistic and not especially inspiring. The grey and white images were just basic and nothing special. I thought some of them looked like they were traced over old photos.
A truly good book could have been here if the authors had just had some common decency and maturity. Not everyone speaks with a potty mouth, nor do all adults think of mating habits and sexual issues all the time about all of nature. Unfortunately, reading Carnivorous Nights was more like digging through a dung heap looking for treasure. Too bad that in this case the treasure was not worth the garbage it was covered in.
Rated by buyers 
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Carnivorous Nights on the Trail of the Tasmanian Tiger follows three New Yorkers, authors Margaret Mittelbach and Michael Crewdson and their artist friend Alexis Rockman as they search for the Thylacine, or Tasmanian Tiger. The thylacine is presumed to have been hunted to extinction with the last known individual dying in Beaumaris zoo in 1936. There have been many sightings since then and many still hold hope the Thylacine persists somewhere on the island of Tasmania.
As you might expect, the trio find little evidence of the Tiger in their travels but provide a lot of information on its natural history and some of the more credible recent sightings. They also spend a lot of time checking out Tasmania's many other non-extinct weird and wonderful animals, and I believe they give a good feel for the general atmosphere on the Island. I read this book a few months prior to my own trip to Tassie and it lead me to visit Marakoopa caves and check out the glow worms, which was really fantastic. As far as an informative and interesting book on the wildlife of Tasmanian goes, it earns five stars.
I had to take two stars off however for what are basically stylistic reasons. Normally this doesn't bother me too much, but in this case it turned what would have been a great book into something that was a bit of an effort to read.
The very first problem is that this book intends to be a bit of a wacky-travel-adventure read. That in its self is fine (check out Redmond O'Hanlon's "Into the Heart of Borneo" for a perfect example of how it can work) but the problem here is that we have three Americans traveling in Australia, a very first world English speaking country. Let's face it, they don't have any really wacky adventures. In fact the endeavor to have wacky adventures seems to distract from the book and dumbs down the text a bit. (see pg. 10 "... we were happy to find out that English was spoken on the island.") Nevertheless the authors try to keep the humour up by making lots and lots of quips. Mostly unfunny quips in my opinion. Most other reviewers found this book funny, and I usually enjoy a humorous travel book (Bill Bryson) but most of this was just off for me. Most of the 'humorous' dialog is attributed to Alexis, which resulted in my wishing about halfway through the book that he'd just keep his mouth shut. But I have to admit I took an early disliking to Alexis due to what was probably the worst part of the "travel adventure" side of the text, his purchase of pot (illegal in Australia as in the US) and his smuggling it around the country. There is something about a tourist abroad willfully committing a crime that is also a crime in his own country that I find really distasteful, and I was sorry to see it treated as a sort of comic aside in this book. To be even handed to poor Alexis, his artwork featured in the book is beautiful and I loved his choice of media.
The second problem and really the worst aspect of the book for me was the narrative voice. Since the book was written by two authors and covered their personal experiences, they opted to refer to themselves as 'WE'. Bad idea. While I can't really offer a better suggestion for two authors to have an equal say in a tale, using 'we' is a bad way to go. At times it was fine, at times it sounded like a married couple, at times it sounded like a olde time king, and at times it sounded like a missive from the Borg. To see how bad it gets one can read the dream sequence on page 118 "That night we dreamed about wombats and feral cats..." Actually I recommend using the search inside function to read a few pages and see whether or not this style will bother you.
A final gripe that is probably worth a third of a star or so is that this book lacks an index, which is probably indicative of its trending to pulpy mass media marketing as opposed to a more intelligent natural history text. And yet it does have a decent set of notes and further reading in the back. While I haven't read any other works by these authors, it feels like they are smart natural history writers lead astray by an editor asking for a dumbed down text in the hope it will have a boarder appeal.
In short, if you have an interest in Tasmania, the Thylacine, or Australia travel in general I can recommend purchasing this book, but I was sorry to see a potentially fantastic book severely damaged by some bad editing decisions.
Rated by buyers -
Funny, deep and educational. Environmentally aware and a fantastic travel story. What else could a person want?
The book centers on the Tasmanian tiger but threads through cloning, giant lobsters and other strange Tasmanian beasties, extinction, hope and, of course, all manner of strange Tasmanian scenes.
Rated by buyers -
The book is depressing because it's about extinction and endangerment; it's funny because our authors manage to stay optimistic and cheerful in the face of extinction. They have an extremely clear eye for the foibles of humans, as well as for the traits of the animals they see. It takes talented writers to make roadkill amusing; these guys manage it.
If you've ever read Gerald Durrell, then you would find this book similar, both in the attitude toward travel and the observations of native humans. The humour is somewhat similar, too, although of course Durrell's is a bit dated by now. If you read and enjoy this book, then I'd strongly encourage you to go find and read anything you can by Gerald Durrell, especially his earlier books.
Completely by coincidence, during the same week that I read this book, I read a story by Harry Turtledove in a science fiction magazine, and an article in a newspaper about lemurs. Turtledove's story was about an alternate history where the island of Atlantis did not sink, and it has a great deal of unique island wildlife, like Tasmania or Madagascar. The plot of the story was that John James Audubon goes to visit Atlantis to sketch and paint all the endangered wildlife there - because of course, the incursion of man onto the island has endangered most of the species. The story highlights the casual cruelty of 19th-century practices, killing rare animals just to pose and paint them and stuff them for museums; I contrasted that to the care that Mittlebach et al. take not to kill anything, and Alexis' efforts to connect to the animals he is painting by using their bioproducts to make paint. Then the article in a Maine newspaper was about a 14-year old who had saved money since she was 6 years old to go to Madagascar and work on lemur conservation; she accomplished her trip finally, and I felt that the viewpoint of the young generation on the many endangered island animals also added to my appreciation of what the authors of "Carnivorous Nights" were seeing on Tasmania.
The paintings in the book are wonderful; I only could wish some were in color. I have always been fond of wombats, echidnas, and platypodes (or platypuses if you want to simplify it), and have stuffed toys of each (yes, I am half a century old and have a large collection of plush toy marsupials, insectivores, extinct reptiles, and assorted endangered species) and had the fun of meeting an echidna face to face once; it was the short-beaked kind, not the long-beaked one, but still odd enough.
A short "family-reading" alert: while the topic is ideal for kids, there are a few things some parents might object to - assorted unmarried people sharing hotel rooms, more than a few four-letter words, a lot of discusion of blood, gore, and animal parts. I personally don't think there's anything here an 11-year old wouldn't already have met, but your children may vary, and I suspect that more than one 8-year old would have nightmares after the scene about feeding a Tasmanian devil. But definitely, the whole family should get to see the pictures, and get to hear about baby pademelons and Bennett's wallabies!
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