Books : Lovers' Perjuries; Or, The Clandestine Courtship Of Jane Fairfax and Frank Churchill: A retelling of Jane Austen's EMMA (A Jane Austen Sequels book)
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Type of bind: Paperback
EAN num: 9780615150055
ISBN number: 0615150055
Label: Joan Ellen Delman
Manufacturer: Joan Ellen Delman
Quantity: 1
Page Count: 372
Printing Date: September 09, 2007
Publishing house: Joan Ellen Delman
Sale Popularity Level: 340070
Studio: Joan Ellen Delman
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Product Description:
Have you ever wondered about the hidden romance contained within Jane Austen's Emma? This literary retelling of Austen's classic novel focuses on the courtship and secret engagement of Jane Fairfax and Frank Churchill. How did two people of such evidently disparate temperaments fall in love? How was 'the most upright female mind in the creation' persuaded to keep their engagement secret? What were the thoughts and feelings of each as events unfolded during that spring and summer in Highbury? Written with great fidelity to the original, Lovers' Perjuries fills in all the details of scenes only hinted at in Emma. It also introduces new characters in a substantial subplot inspired by Persuasion, but featuring a lively heroine more reminiscent of Elizabeth Bennet than Anne Elliot. NOTE: THIS IS THE COMPLETE TEXT IN ONE VOLUME.
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Rated by buyers 
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This is a book for readers who know Jane Austen's "Emma" and would like to spend more time with its characters and see them from a different perspective. I bought the book based on the review on "austenblog" (which is also posted on this amazon page) and I found the austenblog review accurate, so I won't repeat here what it already says. On one point, I disagree, however, in that I found it hard to take much interest in the many new characters introduced in the Weymouth part of the book (the very first 142 pages), because I knew that none of them could play any significant part in the Highbury part (the last 220 pages). The author, Ms. Delman, has developed the scenes and characters at Weymouth in a way that makes it plausible that an accomplished and somewhat formal Jane Fairfax would breach the proprieties by entering into a secret engagement, but the great missed opportunity in the Weymouth section is the lack of one or two scenes focusing on Frank's aunt, Mrs. Churchill, who is such a dominating but entirely behind-the-scenes presence in "Emma." In particular, there is no scene in which Jane Fairfax meets with and interacts with her soon-to-be nemesis, Mrs. Churchill -- whereas in, for example, "Pride & Prejudice," there are several scenes in which Elizabeth Bennett encounters her nemesis, Darcy's aunt, Lady Catherine De Bourgh. In the Highbury part of the book, Ms. Delman does well in showing how Jane's agreement to a secret engagement enmeshes her in a series of deceptions that in our modern times are similar to the deceptions of two people, married to others, who are carrying-on a long-distance affair: letters must be addressed to intermediaries, encounters must betray no appearance of special affection, etc. As to style, Ms. Delman does well: "Lovers' Perjuries" maintains the same consistent, authentic tone throughout its 360 pages. The basic problem with the book lies in the basic problem of the central story of Frank Churchill and Jane Fairfax: once the story gets to Highbury and the familiar "Emma" characters, the two main characters are seldom able to interact with each other, or with anyone else, openly, sincerely, so as to show or share their true feelings. As a result, neither one is able to develop or grow or learn very much more about human nature and human folly. This, however, is not Ms. Delman's fault; in a project like this, focusing on secondary characters in a famous novel, one must stay within the character definitions set by the author of the original novel -- at least, during the scenes and the time-periods covered by the original novel. In "Emma," neither Jane nor Frank develop greater wisdom about human nature; instead, Jane is held in suspense pending Frank's decision to disclose, keep hidden, or end the engagement, and Frank is held in suspense because his aunt's temper makes it impossible for him to make a disclosure, because it might upset her so much that it would aggravate her illness and trigger a physical set-back. Notwithstanding this problem, Ms. Delman does very well in those scenes that her story permits her to present, capturing Jane's emotion and frustration and persuasively taking us through the character arcs involving Jane and Frank that, in "Emma," we only see from a distance, indistinctly. The great sucess of "Lovers' Perjuries" is that it shows us that one of Austen's key secondary stories -- the story of Frank and Jane in "Emma" -- is plausible and convincing in its own terms, and thereby we receive a more complete sense of what it was like to live in Austen's world.
Rated by buyers 
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Let's face it, Jane Austen's "Emma" is not "Pride & Prejudice." While much is delightful, the central romance of Emma and Mr. Knightley is more platonic than passionate. All the passion resides in the subplot about Jane Fairfax and Frank Churchill, whose "clandestine" love affair occupies (for my taste) too little of the novel.
"Lovers' Perjuries" redresses the balance by retelling the story from Jane Fairfax's point of view. The very first half of the novel imagines the meeting, courtship, and secret engagement of Jane and Frank. The second half relates the events of "Emma"--from Jane's perspective.
I read "Lovers' Perjuries" just after rereading "Emma." Even though (declaration!) I'm a friend of the author's, most of the time I literally forgot I wasn't reading Jane Austen! The details and manners of the Regency seemed, as far as I could tell, utterly authentic. The characters are captured to perfection, with all the comedy of the babbling but benevolent Miss Bates, the sanguine Mr. Weston, and the insufferable Mrs. Elton. The lovers, Jane Fairfax and Frank Churchill, are elaborated upon in way that's absolutely true to the Austen originals.
While the prose style may here and there fall a bit short of the original's ironic perfection, it is still amazingly close in its elegance. In the second half, where Joan Ellen Delman's writing is woven together with Austen's, it was done so seamlessly that I often wasn't sure which was which!
There's something in the unfailing sensitivity of Jane Fairfax, seen in this novel focussing on her, compared to the blithe if later lamented judgments of Emma, which lends great poignancy to her version of the story.
"Emma," being a more ironic novel than "Pride and Prejudice," is less emotionally powerful. "Lovers' Perjuries" looks more deeply into the turbulent emotions (jealousy, shame, doubt, passion) suggested in the "Emma" subplot, but never fully revealed by Austen. However, in spite of the more serious cast of the story, it never lacks the wit so characteristic of Jane Austen. If you like being inside the prose world of Jane Austen, "Lovers' Perjuries" is about as close as you can get outside...Jane Austen.
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